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The celebrated Great Mosque of Damascus was built in the early eighth century by the Umayyad caliph al-Walīd b. 'Abd al-Malik. This book provides a detailed study of this Mosque. Using textual, visual, and archaeological evidence, the author attempts to reconstruct some of the basic formal and decorative features of the Umayyad mosque, to locate it within its broader urban context, and to consider its role within al-Walīd's unprecedented programme of architectural patronage. The work explores the intracultural and intercultural functions of religious architecture within an official visual discourse intended to project a distinctive Muslim identity in a manner determined by Umayyad political aspirations. It will be of particular interest to those concerned with the relationship between the Umayyad caliphate and Byzantium.
Architecture, Medieval --- Architecture, Medieval --- Islamic architecture
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Architecture, Medieval --- Castles --- Middle Ages --- Conferences - Meetings
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Architecture, Medieval --- Cities and towns, Medieval --- Streets
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Architecture, Medieval --- Excavations (Archaeology) --- Masonry --- History
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Architecture --- anno 1200-1499 --- 723.5 --- Arts Architecture Medieval Gothic (1200 - 1300) --- Architecture, Gothic --- Church architecture
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Dwellings --- Excavations (Archaeology) --- Archaeology, Medieval --- Architecture, Domestic --- Architecture, Medieval --- History --- Most Region (Czech Republic) --- Antiquities.
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Church buildings --- Church architecture --- Architecture, Medieval --- Monasticism and religious orders --- Friars --- Church buildings - Germany --- Church architecture - Germany --- Architecture, Medieval - Germany --- Monasticism and religious orders - Germany --- Friars - Germany --- Allemagne --- Eglises --- Ordres mendiants --- Architecture
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The monuments of medieval Armenia have been interpreted variously over the centuries as Gothic, Byzantine, Iranian, and "Saracen". However, few scholars have offered satisfactory answers regarding their origins and relations to other architectural traditions. This study examines the scholarship on the subject in East and West and offers a persuasive explanation for the current scholarly impasse. Maranci highlights Josef Strzygowski (1865-1941), a prominent figure in the Vienna School of art history, who was closely allied to the pan-German movements of the early twentieth century. Using unpublished archival materials as well as Strzygowski's numerous publications, the author shows how the ideology of race and nation pervaded Strzygowski's theories of art, and how his ideas and persona have informed - and inhibited - subsequent generations of scholars. The concluding chapter outlines a revised study of Armenian architecture, moving from issues of architectural style to contextual inquiries of patronage and crosscultural exchange. As a detailed survey of medieval monuments and as a historiographical case study, the work addresses a broad audience: not just art historians but all readers interested in how ideology shapes our critical faculties.
Architecture, Armenian --- Armenian architecture --- Architectuur van Byzantium; Oud-Rusland; Oud-Armenie --- -Architectuur van Byzantium; Oud-Rusland; Oud-Armenie --- 72.033.2 Architectuur van Byzantium; Oud-Rusland; Oud-Armenie --- -Armenian architecture --- Architecture, Medieval --- 72.033.2 --- Middle Ages --- Architecture, Medieval - Armenia
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